Peter Koloff

Perched on the shores of Cap d'Antibes, Hôtel du Cap-Eden-Roc is more than a luxury hotel. It is a living piece of Riviera history where generations of artists, writers, filmmakers, and entrepreneurs have gathered in search of inspiration, beauty, and unforgettable stories.

Beth Powell’s Discovering Bessie Coleman is more than a documentary. It is a powerful return of aviation history, representation, and legacy at 30,000 feet.

Inside the Hôtel Martinez during the final days of the Cannes Film Festival, Roselyn Sánchez prepared for the Closing Ceremony with quiet precision, surrounded by stylists, couture gowns, and the controlled chaos that exists just before the red carpet begins.

Shantell Martin’s “Get Outside” mural takes over Union Square with a striking public art installation that transforms movement, space, and interaction in the heart of Manhattan.

Drea Cofield’s “Thresholds” transforms painting into an immersive experience, collapsing distance between subject, space, and viewer.

Paris Fashion Week isn’t just about the runway. It’s about the quiet decisions, fleeting moments, and unseen details that define what lasts.

At Artech Gallery on Park Avenue, Diane Green’s disciplined abstractions quietly anchor a technology driven exhibition. While immersive screens reveal process, it is her paintings, especially Reaching Nirvana and Ravenous, that command attention through restraint, structure, and lived experience.